A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.展开
7.0
Tim Bentinck 迪特玛·贝尔 Konrad Bösherz John Chancer 肯·杜肯 Simon Fellows Owen Frost David Goudge Michael Hanratty Matt Kelly Matt Ian Kelly Aletta Lawson Malu Leicher Alex McMorran Tim McMullan 朱利叶斯·韦考夫
8.0
Péter Benkö Ágnes Bertalan Péter Blaskó Ferenc Borbiczky Gyula Buss János Bácskai László Csurka Gábor Csíkos Iván Dengyel Andrea Fullajtár Géza Hegedüs D. Barbara Hegyi Ádám Lux Tünde Majsai-Nyilas 皮洛斯卡·莫尔纳 Marianna Moór Erzsi Máthé 埃文·纳吉 埃娃·帕普 György Som